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Classic Human Anatomy in Motion: The Artist's Guide to the Dynamics of Figure Drawing, by Valerie L. Winslow
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This essential companion book to the bestselling Classic Human Anatomy provides artists and art students with a deeper understanding of human anatomy and different types of motion, inspiring more realistic and energetic figurative art.
Fine-art instruction books do not usually focus on anatomy as it relates to movement, despite its great artistic significance. Written by a long-time expert on drawing and painting human anatomy, Classic Human Anatomy in Motion offers artists everything they need to realistically draw the human figure as it is affected by movement. Written in a friendly style, the book is illustrated with hundreds of life drawing studies (both quick poses and long studies), along with charts and diagrams showing the various anatomical and structural components.
This comprehensive manual features 5 distinct sections, each focusing on a different aspect of the human figure: bones and joint movement, muscle groups, surface form and soft tissue characteristics, structure, and movement. Each chapter builds an artistic understanding of how motion transforms the human figure and can create a sense of expressive vibrancy in one's art.
- Sales Rank: #77345 in Books
- Published on: 2015-08-04
- Released on: 2015-08-04
- Original language: English
- Number of items: 1
- Dimensions: 11.28" h x .99" w x 9.26" l, .0 pounds
- Binding: Hardcover
- 304 pages
About the Author
VALERIE L. WINSLOW has been painting and drawing the human figure for more than three decades and is an expert in the field of figurative art. She is the author ofClassic Human Anatomy and has taught at the Art Center College of Design in Pasadena, the California Institute of the Arts, and Pixar Animation Studios. She is currently a full-time faculty member and the anatomy coordinator at San Francisco's Academy of Art University. Many of her works are in private collections, and she has won numerous museum awards.
Most helpful customer reviews
4 of 4 people found the following review helpful.
A bridge between theory and practice
By Dom Nguyen
This is an excellent companion to the author's previous book, 'Classic Human Anatomy'. While the previous book focuses on detailed anatomy information, this book has more on applying anatomy in drawing the figure. I really like the chapters on landmarks, planes/structure, and movements with lots of nuggets of information that enable you to depict the human figure convincingly. The chapter on gesture drawing explains 8 different gesture drawing styles which will be particularly helpful for beginning and experienced artists alike.
There's some overlapped anatomy contents between the 2 books, but 'Classic Human Anatomy in Motion' gives you better overview of joints, bones, and muscles besides further information on movements. For example, there is an in-depth discussion on face muscles in various facial expressions. Plus extra drawings and diagrams provide different views (front, side, 3/4) of anatomical parts in motion.
The book is well designed with beautiful and colorful drawings on quality paper.
In short, 'Classic Human Anatomy' is anatomy-in-theory. 'Classic Human Anatomy in Motion' is anatomy-in-practice. Applying anatomy in drawing the human figure requires patience and effort in building knowledge and getting better with proper practice. The author has done a great job with both books.
2 of 2 people found the following review helpful.
Penguin Random House Book Review: Classic Human Anatomy in Motion
By Susan Marie
Valerie L. Winslow, fine award winning artist, Pixar Studios animation educator, as well as over thirty years teaching figurative art and artistic anatomy, published a profound 304 page hardcover illustrated volume, Classic Human Anatomy in Motion: The Artists Guide to the Dynamics of Figure Drawing.
This volume speaks to the creative and medical aspects of human anatomy. The book is sectioned, allowing the reader to digest the authentic mechanics of the human body. In each section and nearly all pages, there are distinct illustrations of the body part, ranging from bones to ligaments to muscle to tendons to skin to facial structures. Such elements are crucial to understand when creating a piece of art intended to be realistic and anatomically correct.
Browsing through the pages, the reader is able to stop wherever they please, not following a designed study pattern, more so, a creative one. One can start at the beginning or open any page and begin. This is only one important aspect of this book when speaking of creativity.
The chapters are easy to read, not scientific or medical in nature, and a student of anatomy as well as art will find this volume most useful. Valerie's understanding of the human body and all structures and movements involved is quite astounding.
The chapters are as follows:
Bones and Surface Landmarks
Joints and Joint Movement
Muscle and Tendon Characteristics
Facial Muscles and Expressions
Muscles of the Neck and Torso
Muscles of the Arm and Hand
Muscles of the Leg and Foot
Body Types, Soft Tissue Characteristics
Planes of the Body
Gesture and Action Drawing
Movement and Stationary Figures
Rhythmic Movement
Within each chapter, are sub-chapters that delve into each segment. For example, if one wishes to draw a perfect anatomical skull, it is here. If one wishes to draw the naked figure, any body type, it is here. If one wishes to all create all facial structures, it is here and if one wishes to be able to create motion and realistic muscles beneath skin that is also in this artistically designed book from front to back covers.
As an artist and a student of medicine, this volume bewilders me. It is not only a book every artists needs to own, but a book ripe with extensive medical knowledge of the entire human body and all it encompasses. The illustrations range from a simple charcoal sketch of a woman standing to an extensive anatomical medical model of the same figure.
To test the practicality of this book, I began sketching with pencil and simply opened to a chapter on muscles. In less than 10 minutes, I already drew the upper body of a male figure outlined, half of it sketched, muscles showing, with basic curves of the body outlined in accurate depth and volume.
I have never done that in my life.
Included is what I created from reading only one page of this book.
This is an artist’s dream. I cannot imagine being without this volume.
I am thankful to have received this book from Blogging for Books for this review.
6 of 8 people found the following review helpful.
Excellent information for human figure artists
By Debbie
"Classic Human Anatomy in Motion" is an anatomy book for artists who draw, paint, or sculpt human nudes. Much of the information can be applied to clothed figures, too, which is how I intend to use it. I appreciated that the nude figures were treated respectfully (rather than shown in sexually suggestive poses) and really were anatomically accurate.
This book contained many high-quality illustrations. Many of the illustrations showed the bones and muscles of the human body as you'd find them in an anatomy book. The author also pointed out which features can be seen on the surface and to look for them as reference points when drawing. She described the motions that each joint can do and how muscles work, so you can more realistically render the human body when it's in motion. To quote the book description, "each chapter builds an artistic understanding of how motion transforms the human figure."
Rather than having the reader repeat her drawings as exercises, the author described how to draw the figure you are interested in (from models, everyday life, pictures, or video). She suggested warm-up exercises and ways to suggest an active (rather than passive) figure. She gave some advice about working from your imagination, but she generally assumed that you'll have some reference to draw from as you work.
I'm familiar with human anatomy from my college days. I was impressed with the quality of this work, and it was a good refresher course for me. It has helped me understand how to apply that knowledge to my art. Overall, I'd recommend this book to artists who want to improve their depictions of human figures.
I received this as an ebook review copy from the publisher through NetGalley.
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