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  • Sales Rank: #3582532 in eBooks
  • Published on: 2010-10-01
  • Released on: 2011-08-18
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Feedback Control of Dynamic Systems, 4th Edition, by Gene F. Franklin, J. David Powell, Abbas Emami-Naeini

This introductory book provides an in-depth, comprehensive treatment of a collection of classical and state-space approaches to control system design—and ties the methods together so that a designer is able to pick the method that best fits the problem at hand. It includes case studies and comprehensive examples with close integration of MATLAB throughout the book. Chapter topics include an overview and brief history of feedback control, dynamic models, dynamic response, basic properties of feedback, the root-locus design method, the frequency-response design method, state-space design, digital control, and control-system design. A basic reference for control systems engineers.

  • Sales Rank: #243285 in Books
  • Published on: 2002-01-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.38" h x 1.52" w x 7.82" l,
  • Binding: Hardcover
  • 910 pages

From the Back Cover
This introductory book provides an in-depth, comprehensive treatment of a collection of classical and state-space approaches to control system design—and ties the methods together so that a designer is able to pick the method that best fits the problem at hand. It includes case studies and comprehensive examples with close integration of MATLAB throughout the book. Chapter topics include an overview and brief history of feedback control, dynamic models, dynamic response, basic properties of feedback, the root-locus design method, the frequency-response design method, state-space design, digital control, and control-system design. A basic reference for control systems engineers.

About the Author
Dr. Abbas Emami-Naeini is currently an engineer at Integrated Systems, Inc., as well as a consulting professor in the department of electrical engineering, Stanford University. He received his B.E.E. with the highest honors from the Georgia Institute of Technology and M.S.E.E. and PhD. degrees in electrical engineering from Stanford University.

Excerpt. © Reprinted by permission. All rights reserved.

In this fourth edition we again had the objectives of retaining the best of the previous editions, to rewrite key sections where we felt it was possible to improve the presentations and enhance the book's pedagogical effectiveness, and to take better advantage of the wide use of computers in control design, especially the toolboxes of MATLAB and Simulink, from The Mathworks, Inc.

The basic structure of the book is unchanged and we continue to combine analysis with design using the three approaches of the root locus, frequency response, and state variable equations. The text continues to include carefully worked out examples, many of them new to this edition, to illustrate the material. As a new feature, to assist the students in verifying that they have learned the material, we provide a set of review questions at the end of each chapter with answers in the back of the book. While modest changes were made throughout the entire book, special attention was given to the introduction of transforms in Chapter 3, to the introduction to feedback in Chapter 4, and to the organization and statements of the problems appearing at the end of each chapter.

In the three central chapters on the design methods, we continue to expect the students to learn how to perform the basic calculations by hand in order to be able to guide a design by understanding (and frequently by a quick sketch) rather than by computer rote. However, more than in previous editions, we de-emphasize the manual work and introduce computer tools early on in recognition of the universal use of these tools in control analysis and design. For example, we no longer mark certain problems as requiring a computer but, rather, expect that the student has access to a computer in every case, as needed.

Furthermore, in recognition of the fact that, increasingly, controllers are implemented in embedded computers, we introduce digital control in Chapter 4 and in a number of cases compare the responses of feedback systems using analog controllers with those having a digital "equivalent" controller. As before, we have prepared a collection of all the MATLAB ".m" files used to produce the figures in the book and these are available at the companion web site for this title:

http://www.prenhall.com/franklin

or at the homepage for SC Solutions, Inc.:

http://scsolutions.com/scsolutions.control.html

As representative applications of control, we again present extensive case studies in Chapter 9. In this edition we have added new studies of the control of the read-write head assembly of a computer hard disk and the temperature control of a silicon wafer in a Rapid Thermal Processor used in the fabrication of integrated circuits.

We feel that this fourth edition presents the material with good pedagogical support, provides strong motivation for the study of control, and represents a solid foundation for meeting the educational challenges of a study of feedback control.

Addressing the Educational Challenges

Some of the educational challenges facing students of feedback control are long-standing; others have emerged in recent years. Some of the challenges remain for students across their entire engineering education; others are unique to this relatively sophisticated course. Whether they are old or new, general or particular, the educational challenges we perceived were critical to the evolution of this text. Here we will state several educational challenges and describe our approaches to each of them.

  • CHALLENGE: Students must master design as well as analysis techniques.

Design is central to all of engineering and especially to control systems. Students find that design issues, with their corresponding opportunities to tackle practical applications, particularly motivating. But students also find design problems difficult because design problem statements are usually poorly posed and lack unique solutions. Because of both its inherent importance for and its motivational effect on students, design is emphasized throughout this text so that confidence in solving design problems is developed from the start.

The emphasis on design begins in Chapter 4, following the development of modeling and dynamic response. The basic idea of feedback is introduced first, showing its influence on disturbance rejection, tracking accuracy, and robustness to parameter changes. The design orientation continues with uniform treatments of the root locus, frequency response, and state variable feedback techniques. All of the treatments are aimed at providing the knowledge necessary to find a good feedback control design with no more complex mathematical development than is essential to clear understanding.

Throughout the text, examples are used to compare and contrast the design techniques afforded by the different design methods and, in the capstone case studies of Chapter 9, complex real-world design problems are tackled using all of the methods in a unified way.

  • CHALLENGE: New ideas continue to be introduced into control.

Control is an active field of research and hence there is a steady influx of new concepts, ideas, and techniques. In time, some of these elements develop to the point where they join the list of things every control engineer must know. This text is devoted to supporting students equally in their need to grasp both traditional and more modern topics.

In each of our previous editions we have tried to give equal time to root locus, frequency response, and state variable methods for design. In this edition we have shifted the emphasis from manual design methods augmented with computer tools to an emphasis on computer-aided methods augmented with a solid mastery of the underlying techniques. Included in this re-emphasis is the early introduction of sampling, which enables one to design digital controllers. While this material can be skipped to save time without disruption of the flow of the text, we feel that it is very important for students to recognize that digital control is being used increasingly and that the most basic techniques of digital control are easily mastered.

With regret we acknowledge that we are not able at this time to introduce the important topics of hybrid control or designs based on various optimization methods.

  • CHALLENGE: Students need to manage a great deal of information.

The vast array of systems to which feedback control is applied and the growing variety of techniques available for the solution of control problems means that today's student of feedback control must learn many new ideas. How do students keep their perspective as they plow through lengthy and complex textual passages? How do they identify highlights and draw conclusions? How do they review for exams? Helping students with these tasks was a criterion for the fourth edition. We outline these features in the accompanying table on page xiv.

  • CHALLENGE: Students of feedback control come from a wide range of disciplines.

Feedback control is an interdisciplinary field in that control is applied to systems in every conceivable area of engineering. Consequently, some schools have separate introductory courses for control within the standard disciplines and some, such as Stanford University, have a single set of courses taken by students from many disciplines. However, to restrict the examples to one field is to miss much of the range and power of feedback; but to cover the whole range of applications is overwhelming. In this book we develop the interdisciplinary nature of the field and provide review material for several of the most common technologies so that students from many disciplines will be comfortable with the presentation. For electrical engineering students who typically have a good background in transform analysis, we include an introduction to writing equations of motion for mechanical mechanisms in Chapter 2. For mechanical engineers, we include in Chapter 3 a review of the Laplace Transform and dynamic response as needed in control. In addition, we introduce other technologies briefly and, from time to time, we present the equations of motion of a physical system without derivation but with enough physical description to be understood from a response point of view. Examples of some of the physical systems represented in the text include the read-write head for a computer disk drive, a satellite tracking system, the fuel-air ratio in an automobile engine, and an airplane autopilot system.

Outline of the Book

The contents of the book is organized into nine chapters and seven appendixes. The chapters include some sections of advanced or enrichment material marked with a triangular blue icon that can be omitted without interfering with the flow of the material. Examples and problems based on this material are also marked with these icons. The appendixes include background and reference material such as Laplace transform tables, a review of complex variables, a review of matrix theory, and answers to the end-of-chapter review questions.

In Chapter 1, the essential ideas of feedback and some of the key design issues are introduced. The chapter also contains a brief history of control, from the ancient beginnings of process control to the contributions of flight control and electronic feedback amplifiers. It is hoped that this brief history will give a context for the field, introduce some of the key figures who contributed to its development, and provide motivation to the student for the studies to come.

Chapter 2 is a short presentation of dynamic modeling and includes mechanical, electrical, electro-mechanical, fluid, and thermodynamic devices. It also discusses th...

Most helpful customer reviews

53 of 59 people found the following review helpful.
Yet another expensive text the world doesn't need
By K. Wu
Almost every subject worthy of a textbook already has 1-3 classic titles all new students should read and use. For feedback and control systems, there's Ogata's Modern Control Engineering - and then there are second-rate, tree-killing (where are Ents when you want 'em?), mind-numbing, hair-tearing, expletive-inducing texts like this one. And no, swearing in French while trying to work through a problem doesn't make it more enjoyable either. First, this book is poorly written - long, tiresome, dry writing that lulls you to sleep. Second, there are errors strewn throughout, which because of the lackluster writing you'll initially miss (example, page 221, Ziegler-Nichols tuning, equation 4.52 and fig. 4.13 - mistakes in parameter names can drive you nuts until you read Ogata's clear and concise version). Third, the trivial example problems are little help in solving the harder problems, causing you to rapidly awaken from your reading stupor into frustration and mild terror as you discover the aforementioned errors. At that point, drop this book, reach for Ogata and/or the Schaum's Outline, and discover that introductory controls can make sense and even be elegant. As an aside, I did well in controls with no real EE background, but that's despite this book - praise be unto Ogata. Professors, please ignore the pretty cover and skip this expensive waste of paper, and use Ogata - your students will learn more effectively and may even continue further in the subject.

18 of 19 people found the following review helpful.
Pedagogically lacking, not for use in a first controls course
By calstudent
I used this textbook in a senior year undergraduate controls class at UC Berkeley. The book seems to be aimed at teaching mainly the procedures and MATLAB commands to do control engineering and is very ineffective at imparting understanding that would be helpful in more advanced courses. This book may be suitable if the students don't want to or are incapable of understanding controls beyond memorization of rules. Not recommended as a way to learn the material for the first time. Some specifics:

1. First, the text doesn't seem to be crafted with care: for example, on page 25, Example 2.2, variables are used that are not defined until the next paragraph. I spent a good 5 minutes just checking if I had missed these variables earlier in the text.

2. As I progressed through the book, I continuously found myself looking to other books and resources for the intuition and insight that I feel should have been in this text. The classical control parts of this book are similar to the corresponding sections in Ogata's Modern Control Engineering, but with the insight and depth of understanding omitted. What is left is a vague sense of the concepts lacking the rigor, derivations, or background necessary to feel like you really know what is going on. The section on state-space design is especially frustrating in this respect. All the rigor is banished to Appendix WD, available at the book website---as if the publishers forced the book to be smaller without any regard to the pedagogy of the physical text. Example: The student first sees the word "controllable" on page 430, uninformatively defined as "when the 'controllability matrix' is nonsingular". It isn't until page 450 that any useful word-definition of controllability is given, and if you really want the actual mathematical and intuitive definition, you have to go to the book website.

3. Of course there are plenty of MATLAB commands strewn about the book. If you already know the topic and want to learn to use the appropriate MATLAB commands, this book may be helpful.

22 of 24 people found the following review helpful.
not a good book for beginners
By J. Chen
ok, after being with this book for 5 weeks. NOW, I have to say something about this book. I am now doing my homework and I have to read this book to do it, but in those examples, I dont' see much steps, all I see are "sudden jumps". Cmon, give me a break.. show me the steps... I do not want to spend hours on finding out what the missing steps are. If you are a beginner and dont' know much about feedback, DO NOT buy this book or you will have a hard time. Also, the way this book interprets the problems is not easy to understand either.

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In God's Under-Ground, by Richard Wurmbrand

  • Sales Rank: #3330216 in Books
  • Binding: Paperback

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Sabtu, 25 Mei 2013

[U790.Ebook] Ebook Free The Avid Assistant Editor's Handbook, by Kyra Coffie

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The Avid Assistant Editor's Handbook, by Kyra Coffie

The Avid Assistant Editor’s Handbook presents new users with what should be their first experience with this powerful software.

Drawing from common Avid assistant editor tasks, the book starts with digitizing and ends with onlining and the final delivery of a show. There is also a comprehensive chapter on multigrouping that details this often-used process and often-encountered job requirement.

The Avid Assistant Editor’s Handbook provides new users a solid foundation for working in Avid, and it can accelerate an Avid assistant editor’s transition to a coveted editor role.

  • Sales Rank: #159468 in eBooks
  • Published on: 2011-11-18
  • Released on: 2011-11-18
  • Format: Kindle eBook

Review
"One of the clearest technical manuals about the use of Avid that I have seen, Coffie's fine tome should prove invaluable to any beginner first setting foot into the Avid editing workflow." --Ray Zone, Editor's Guild Magazine

"This is not a mindless instruction manual -- this is a working assistant editor's bible, built from experience and success. It will educate you, it will demystify a daunting subject, and it will allow you to become a valued asset, as important and marketable as the best editor."--Jonathan Moser, Post Magazine

"Coffie expands and remains focused on the tasks of an Assistant Editor (AE).  Nothing more, nothing less - making The Avid Assistant Editor's Handbook a Welterweight Champion text; trim and lean, offering a knockout punch in the need to know purview of an AE."--Gordon A. Burkell, founder Art of the Guillotine

"The title of this book says it all. It is a well conceived and executed guide for anyone who is working, or hoping to work as an assistant editor."--Sam Kauffmann, Author

About the Author
Kyra Coffie, an editor for over a decade, has worked for companies that produce programming for TLC, MTV, VH1 networks, The National Geographic Channel and the Discovery Channel. A native of Washington, D.C., Ms. Coffie took positions as an assistant editor while breaking into the Los Angeles market, and her editing background allowed her to make assistant editing processes more standardized, efficient, and easy to learn. The Avid Assistant Editor’s Handbook is a product of her time in L.A., and it’s her hope that any individual wanting to learn Avid will be able to do so with her book. Check out her website at www.AvidAsstEditor.com.

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5 of 5 people found the following review helpful.
Beyond the Manual
By Previous Reviewer
This is a review I posted previously on my site [...]:

REVIEW: The Avid Assistant Editor's Handbook: The go-to-guide for assistant editors learning about Avid and their jobs.

I always find reviewing books about editing, particularly books about the technology we as editors use, difficult. They aren't difficult to read, its just once you've read one book on the technology there isn't anything new that you can learn from reading another book on the same technology.

This is where Kyra Coffie's book The Avid Assistant Editor's Handbook: The go-to-guide for assistant editors learning about Avid and their jobs comes in and alters my view. Coffie has found a unique niche, the assistants need for technology knowledge specific to their roles. Many Avid handbooks simply regurgitate the users manual that comes with the software. Coffie, is an experienced assistant editor in Los Angeles and host of the Avid Assistant Editor's blog, a blog that focuses on helping educate the next generation of Assistants, is giving knowledge needed for the assistant to do their job well.

The information contained in her book goes beyond the usual manual and into actual tricks and techniques Assistants need to know. (*AHEM* *Cough* Assistants! Might want to purchase this). Here's an example of her knowledge based on experience.

In Appendix 2: Deck Configuration, Coffie, describes configuring decks with your Avid system. But she goes beyond the manual into the editing room when she breaks down the potential reasons that Avid might not be seeing the deck and how to work around them, a small but time saving element, not referenced in the Avid manual.

Many a time, I've seen young first time assistants wasting time on small issues that Coffie helps the reader prepare for, those pesky last minute problems. It also includes elements that many MANY books ignore, for example preparing for online editing, which she wrote with the help of Josh Petok, an online editor and colorist.

Many schools (Note: Not all but many) these days have become hyper focused on the technology and in particular getting students up and running for their projects. This usually leads to issues such as students not knowing simple things like preparing and exporting for sound or setting up for online. Kyra's book is extremely useful in this instance.

I always want to put my technology through the paces so I felt it was important to do the same with this book. I brought in a former student of mine, Eamonn O'Connell, who I was helping teach Avid to, and had him use this book while cutting a small project for AOTG.com. Eamonn was cutting a small video he and I shot about one of the founders of the Canadian Cinema Editors, Paul Day.

Here's what Eamonn thought:

As a new editor it's hard to come to terms with getting "up to speed" on the latest technology in NLE systems. When one feels moderately comfortable on one system more often than not, especially as a student, there's a change. Floating between Final Cut Pro or X, Adobe Premiere and Avid has challenges.

As a frugal student I constantly assess the need for more books, when most resource material can be found online. I've long operated on the when-I-need-help-I'll-Google-it mentality, allowing me to for-go shelling out several hundred dollars in text fees. That said, I still find my bookshelf playing host to those that I've felt are necessary and better than their virtual counterparts. Between my Calvin & Hobbes and Far Side Collection tomes rest three equally valuable film books. 1) The Filmmaker's Handbook 2) How to Make It In Shorts and 3) The Avid Assistant Editor's Handbook.

Let's crack the cover on Kyra Coffie's latest then, shall we?

Like many editing texts before Coffie's, hers starts with the common "Introduction" and "Getting Started" chapters. But that's where familiarity and comparisons can quickly end. Coffie expands and remains focused on the tasks of an Assistant Editor (AE). Nothing more, nothing less - making The Avid Assistant Editor's Handbook (AAEH) a Welterweight Champion text; trim and lean, offering a knockout punch in the need to know purview of an AE.

AAEH offers several indexes and tables giving timely direction to the AE who's sweating under the ticking clock. The pages are thick enough to thumb through effectively rather than fumble with, like the flimsy pages of the latest edition of Oxford's Dictionary. Coffie's advice is quick to the point but motherly too - careful to point out hazards like, "confirm" and "make sure" before you move on to the next steps of your work. Coffie then makes you look like you're ready to take on the next feature film as Editor, not "Why is this guy in the union again?"

Coffie adds some flare to a library that's predominantly text heavy - After all we're editors, visual people! Full colour screenshots, cartoons and great examples help to solidify new learning, making sure that you can focus more on making cuts, rather than remembering a page number.

Screen Shot

I must say there's something about the tangible quality a good text like Coffie's brings. There's a tactility, and pleasure from highlighting, dog earing and penciling pages that make me feel accomplished even though I'm still just a student. Finally, there's something to be said about keeping that second monitor free from a Google search window and using it more for what it was installed for in the first place - Bins!

As there's a bit of room on my bookshelf still and seeing as how FCPro looks like the Titanic, I can only hope that Coffie will write a similar book for Adobe Premiere. Then like my Calvin & Hobbes and Far Side - my film resource collection will be complete.

More About Eamonn O'Connell:

Eamonn is an avid and emerging filmmaker from Toronto, Canada. Having expertise in digital communications Eamonn has consulted with a wide range of companies including the Documentary Organization of Canada and Point of View Magazine. Eamonn's most recent film projects include the soon to be released, self-shot documentary "Solo", detailing his time spent in North Africa during the 2011 Arab Spring and "Valleys" a Kickstarter project, documenting the experience of a young adult cancer survivor.

In the Fall of 2011 Eamonn received two Peter Gerretsen Film Award Nominations for Best Picture and Best Editing.

BUT WAIT THERE'S MORE

Kyra is definitely on the ball when it comes to the future of books, Avid Assistant Editor's Handbook is available in print on demand with a digital ebook coming soon! What is great about this is the flexibility this gives Kyra to change and update the book. When Avid changes or upgrades elements she can easily update the book, upload the files to the print on demand site and the digital version.

Kyra's book is it is a living and breathing document, it is updatable through the print on demand and digital files but more importantly the book is an extension of her great blog: avidassteditor.com, with this blog she's constantly posting updates for how to execute things in Avid, even better though, she now has an "Ask Kyra" section, if it isn't in the book or on her blog you can submit the question!

If Kyra keeps this up she will be the Avid Guru that Avid needs!

3 of 3 people found the following review helpful.
Book Review from Post Magazine
By flashcutter
Before I begin this review, a few words about assistant editors -- they are the unsung heroes of post.

In the beginning, before nonlinear, generally assistant editors (except those involved in feature work) wore totally different hats than they do now. They loaded and cleaned tape machines, did layoffs for dupes, made copies of finished tapes, checked specs, slated and laid bars and tone, kept things manageable for editors and worked extremely long hours. But they usually didn't get deep into the editor's domain.

Today, they still work long hours, and still clean up after the editors they work with...but now, in the accelerated atmosphere of nonlinear, fast-turnaround and high-volume editing deadlines, they are our eyes, ears, (sometimes our brains) and our first line of defense. They prescreen, prepare and sometimes save us from ourselves.

In the dark of night, with ranks of producers, executives, changes and deadlines having taken their toll on an editor's health and psyche, the bond with their AE can be forged in blood. I've been there.

A good AE -- a truly good AE -- is hard to find and worth their weight in gold. They can spell the difference between a good edit and a great edit. Not enough can be said...they are my heroes.

Kyra Coffie is obviously one of those rare and extraordinary individuals, she is the AE's AE, and her new book is a painstakingly thorough, researched and exhaustive guide to how to achieve that valued stature of an editor's closest ally.

I have never seen a more detailed explanation of the AE's duties.

A COMPREHENSIVE LOOK

Profusely and intelligently illustrated with explanatory, full-color diagrams, Coffie follows the entire process of editing, going deep into areas not even many seasoned editors have ventured.

Running the gamut from capturing media to exporting, layout and slating to final outputting, with everything in between.

Coffie's methodology is intelligent and comprehensive, sometimes humorous. Having been an AE for over a decade, she knows what problem areas require elaboration, and in her thoughtful explanations throughout she provides a Did I Do This Correctly? section that painstakingly allows the reader to double check their work by asking concise questions (like a pilot's checklist) -- details that some seasoned editors can miss even after decades of experience. Her manner is warm and reassuring, and you feel her experience and knowledge. She doesn't just say how to do things, but why they have to be done that way, firmly guiding you along the way.

Almost everything comprising Media Composer is methodically explained and demoed -- from AMA to ingest to outputting, effects layering, and treating audio and video for export. Even the darker arts of transcoding, consolidating, managing the EDL manager, the dreaded Title Tool and it's style guides are covered. There's little that is not touched. It's all done in a systematic, well-explained and logical manner, wholly designed to make the editor's life easier and the job of show-building more efficient.

Coffie knows the relationship between the AE and their editor, and her vast experience is evident throughout as she explains why things must be done in certain orderly manners.

MAKING SENSE OUT OF CHAOS

As I read through the book, I understood more about why things are done the way they are on the Media Composer. (Many older editors, like myself, came through the ranks from linear to nonlinear without the studied discipline those who started out on nonlinear did. We had to apply old understandings of tape-based to a new world, and a certain lack of organization came along with us.)

Coffie's methodology and conciseness allowed me to make sense of areas not fully understood as she explains why she does what she does.

One note -- if you get this book, (and I wholeheartedly encourage both AE and editor alike to do so), save Coffie's detailed explanation of multigrouping for last. It is intense and detailed (80 pages worth) and could discourage you in its length and thoroughness. Go through the rest of the book first and come back. With a detailed index, concise appendixes outlining useful exercises for skill building and myriad vital checklists, her comprehensiveness is clearly evident.

This is not a mindless instruction manual -- this is a working assistant editor's bible, built from experience and success. It will educate you, it will demystify a daunting subject, and it will allow you to become a valued asset, as important and marketable as the best editor.

WHAT DID I MISS?

If there was anything lacking in this book that I had hoped to find, it was in the all-important subject of how to truly organize a project from start to finish, implement a logical bin structure and methodology. With the massive amounts of material we routinely run into today, the AE's skill at creating a systematically organized, logical and understandable project tree is essential -- breaking down through a clear visual schematic all the material we need: interviews, b-roll, sound, iso's, OTFS, beauty, etc.

To be sure, Coffie's excellent breakdown of multigrouping was extraordinary and concise, and I am sure she organizes projects with the same precision and finesse, but I did miss her tips at how she organizes what we, the editor, must look at every day -- our workspace.

Another area to address (where perhaps she can use her excellent Website and blog: [...]) is setting up ScriptSync sessions -- importing and preparing script, a powerful tool for Media Composer.
Regardless of the bits that are missing, you won't find a better resource for assistant editing on the Media Composer. I just hope I can work with her someday.

1 of 1 people found the following review helpful.
A must have book
By busyatwork2000
This is an amazing book, that I wish I had a long time ago. Its great for Editors as well as AE's. I love how Ms Coffie gives a step by step guide through the workflows. Not only does she give you the proper settings for various workflows but she explains their function. This book is extremely thorough. The only thing I wish it had was some examples of bin organizations, but I guess that will vary from post house to post house. For anyone wanting a mastery of MC this book is a must have. There are other great Avid books (Avid Agility) but they don't cover what is covered here. And the material covered here is essential.

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Jumat, 24 Mei 2013

[D882.Ebook] Ebook Johnny Cash: The Life, by Robert Hilburn

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Johnny Cash: The Life, by Robert Hilburn

The national bestseller celebrated as "the ultimate Johnny Cash biography....Rock writer great Robert Hilburn goes deep." -- Rolling Stone

In this, the definitive biography of an American legend, Robert Hilburn conveys the unvarnished truth about a musical superstar. Johnny Cash's extraordinary career stretched from his days at Sun Records with Elvis Presley and Jerry Lee Lewis to the remarkable creative last hurrah, at age 69, that resulted in the brave, moving "Hurt" video.

As music critic for the Los Angeles Times, Hilburn knew Cash throughout his life: he was the only music journalist at the legendary Folsom Prison concert in 1968, and he interviewed both Cash and his wife June Carter just months before their deaths. Drawing upon a trove of never-before-seen material from the singer's inner circle, Hilburn creates an utterly compelling, deeply human portrait of a towering figure in country music, a seminal influence in rock, and an icon of American popular culture. Hilburn's reporting shows the astonishing highs and deep lows that marked the journey of a man of great faith and humbling addiction who throughout his life strove to use his music to lift people's spirits.

  • Sales Rank: #265913 in Books
  • Published on: 2014-11-04
  • Released on: 2014-11-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.13" w x 6.00" l, .0 pounds
  • Binding: Paperback
  • 688 pages

Amazon.com Review
The Big Fall Books Preview 2013: To adequately describe Johnny Cash: The Life, it helps to begin with the author. For more than thirty years, Robert Hilburn worked as a music critic at the Los Angeles Times, rubbing shoulders with the greats of the industry--Dylan, Lennon, Joplin, Springsteen, U2, and many others. But this tenderhearted, penetrating biography stands as an argument that he knew Johnny Cash best. Cash was an unlikely artist, born in debt-poor Arkansas to cotton farmers. He began working (and singing) in the fields at the age of five; and from there, Hilburn--who counted Cash as a friend and was the only music journalist at the famous Folsom Prison concert--draws from his extensive personal interviews with the singer, as well as new material from Cash’s inner circle, to create a biography that is both compassionate and clear-eyed. As he details the stunning rises and tortuous stumbles of The Man in Black, Hilburn conveys an intimate, consuming, human portrait of the drama, the art, and the purpose that made the man a legend. --Chris Schluep

From Booklist
The bare bones of Cash’s story are widely known: the singer-songwriter’s childhood years as a farmer’s son longing to make music, his early hits, his descent into substance abuse, his tumultuous personal and professional life. Here, Hilburn, who covered music for the Los Angeles Times for more than 30 years, puts some meat on those bones. Did you know, for example, that when Cash moved to Memphis, he hadn’t heard of producer Sam Phillips, or Sun Records? And did you know that the lyrics of Cash’s early hit, Folsom Prison Blues, were lifted, not quite word-for-word, from Gordon Jenkins’ Crescent City Blues? The book is based on previously published material and on the author’s interviews, over the years, with numerous sources, including Cash and his family; Phillips; musicians such as Kris Kristofferson, Merle Haggard, Bob Dylan, and Tom Petty; and many of Cash’s friends and colleagues (each chapter is thoroughly sourced). It’s always tricky to call a biography definitive, but this one must surely come close. --David Pitt

Review
Named one of the Best Nonfiction Books of 2013 by Publishers Weekly

Named one of NPR's Great Reads of 2013

"A thorough and thoughtful portrait of the Man in Black and a deep appreciation of his artistry... Hilburn writes most powerfully about Cash's trajectory as an artist... His writing is as authoritative as it's engaging when he's discussing the singer-songwriter's music." -- Michiko Kakutani, New York Times

"An excellent biography.... A story that's both larger and more fascinating than the legend.... Hilburn has created the definitive narrative of this 'symbol of American honor, compassion and struggle.' It's a biography worthy of its subject." -- USA Today

"The result of Hilburn's wrestling with his subject's life and with his own moral compass is perhaps the richest biography of a musician I have ever read, and one of the best biographies I have read, period.... Hilburn knows how to organize a life in print skillfully.... Hilburn is a first-rate stylist. His sentences often sing." -- Atlanta Journal Constitution

Named one of this fall's hottest biographies by Kirkus

"Veteran music writer Hilburn...masterfully separates fiction from fact in an exhaustive, but never exhausting, biography of the legendary musician...The personal knowledge aided by extensive archival research and always compelling, accessible writing makes this an instant-classic music biography with something to offer all generations of listeners." -- Kirkus (starred review)

"Drawing on his own interviews and personal experience with Cash, former L.A. Times music critic Hilburn exhaustively chronicles, almost year by year, Cash's rise to fame from his childhood in Dyess, Ark., through his stint in the military, the peak of his success in the 1970s with the Johnny Cash Show, and on to his slow decline in health in the 1990s.... Hilburn is a spellbinding storyteller." -- Publishers Weekly (starred review)

"A comprehensive and thoughtful biography, cognizant always of how hard it is for heroes to make it in America...Hilburn does an artful, enviable job of reconciling all the facets [of Cash]...[and] writes with a remarkably steady hand...JOHNNY CASH is measured and mindful, allowing of all the paradoxical bits that constitute a human life." -- Los Angeles Times

"Hilburn's "Johnny Cash: The Life" is the big biography Cash's fans have been waiting for since the singer's death in 2003 and Hilburn doesn't let them down." -- Jeff Baker, The Oregonian

"The ultimate Johnny Cash bio.... Rock writer great Robert Hilburn goes deep...." -- Rolling Stone

"'Do we really need another Johnny Cash book?' Yes, we really do, as it turns out, because Johnny Cash is so very good.... Hilburn's work is far and away the most insightful, entertaining, comprehensive, and well-told Cash biography to date." -- Slate

"Arguably the ultimate biography of The Man in Black." -- The San Antonio Current

"A riveting new biography of the Man in Black.... From Cash's birth in Kingsland, Arkansas, to his triumphant last decade, Hilburn covers it all through seven hundred pages of intimate and startling detail. It's the Man in Black in full." -- William Welch, Garden & Gun

"I listened to that stark unrelenting country as a kid. He was a hero of mine. I met him, finally, in a john at the Waldorf Astoria. He was taking a pee, and I broke out into 'Loading Coal.' We both zipped up and sung the final chorus together. One of my most cherished moments. You don't get much closer than that. Hilburn has written a brilliant story of an even more brilliant songwriter, warts and all." -- Keith Richards

"A definitive new biography of an American original.... How do you write an interesting biography of such a beloved figure? First, hire Robert Hilburn. He is a prodigious researcher, but he keeps a steady hand on the tiller, and never allows his research to swamp his narrative." -- The Economist

"More thorough, compelling and honest than even [Cash's] own two autobiographies." -- Minneapolis Star Tribune

"The perfect Cash biography, as simple, fast and lean as 'Folsom Prison Blues'... Such a monumental figure deserves no less than this caring treatment of his sin-stained greatness." -- People

"Johnny Cash was a man both extraordinary and ordinary. Every man could relate to him, no man could be him, and only one man could get inside his head like Robert Hilburn." -- Bono

"It's always tricky to call a biography "definitive," but this one must surely come close." -- Booklist

"Hilburn got as close to the Cash inner circle as any journalist could...The most authoritative and revealing portrait to date." -- Wall Street Journal

"Robert Hilburn displays a deeply felt affinity with his subject, illuminating Johnny Cash as the moral compass of country music." -- Patti Smith

"Hilburn writes in a clear, straightforward style... and fills in the outlines of Cash's life with meticulous detail... Cash is well-served by a biographer who finds a balanced approach to an often unbalanced life." -- Columbus Dispatch

"It's a rare gift to be given the opportunity to step far back from the confusing miasma of one's own childhood to see the entire soaring arc of a parent's life, and to be able to look clear-eyed at the puzzle of his character and the kaleidoscope of pain and beauty. This is the breathtaking gift Robert Hilburn has given me in a definitive biography of my father that is excruciatingly honest, rigorously researched, and has the depth and integrity that his subject demands. I had to take many breaks while reading this book to assimilate all the stories I knew, but had never put in a narrative context, being claustrophobically close to not only the events themselves but the resonance of those events. I felt dizzy from the sense of time travel and from the odd notion that Hilburn's masterful organization of the paradoxes and the fullness of who Johnny Cash was--and is--satisfies not only my father's family and fans, but himself as well. To those who fiercely cling to a one-dimensional view of my father to satisfy their own ideals--dark or light, saint or sinner, right or left--I challenge them to read this book and begin to understand a far, far more interesting and complex man: a truly great, visionary artist, a deeply flawed human being capable of experiencing inconceivable amounts of both love and pain, and a huge spirit who now belongs to the ages." -- Rosanne Cash

"Johnny Cash will be the definitive bio of the tortured, truculent but often generous singer.... Hilburn penetrates the heart of Cash's artistry.... The behind-the-scenes stories Hilburn unearths from those early days are engrossing for anyone interested in American roots music." -- Kirkus Reviews

"Johnny Cash and Robert Hilburn are two of the true blessings of my life. Both the best at what they do and each a gifted artist. It's a killer combination." -- Kris Kristofferson

"Assiduously researched and entertaining.... Hilburn rightly believes his subject's life is so extraordinary that there's no need for fanciful embellishment from anyone, including Cash himself." -- Entertainment Weekly

"The definitive work about Cash, a rich, engaging look at a very complicated man that is, by far, the best book ever about him and one of the best biographies, music or otherwise, that I've read.... It's a depiction of its subject that's as honest, revealing and resonant as The Man in Black himself." -- Lincoln Journal Star

"A deeply personal, multi-faceted portrait." -- Parade

"Johnny Cash succeeds at both expanding and complicating its subject. Hilburn does an artful, enviable job of reconciling all the facets...[It's] measured and mindful, allowing of all the paradoxical bits that constitute a human life." -- The Orlando Sentinel

"Between his love of music, his experience as one of the nation's leading music critics, and his long personal friendship with the subject, there is no one on earth more qualified to write this definitive book on the roller-coaster life of Johnny Cash than Robert Hilburn. Between the amount of research and the degree of detail he's put into this book, even Johnny would have learned something about himself if he were here to read it. Highly recommended!" -- Rick Rubin

"A definitive biography.... He tells, in great and sometimes harrowing detail, how Cash's professional advancement and personal decline blossomed simultaneously." -- The Washington Post

"A meticulous biography.... Hilburn gives a frank account of the singer's life...." -- The New Yorker

"Brilliant.... There are already over 50 titles written about or by Cash, yet Hilburn's work is a standout." -- Maclean's

"A thorough, compassionate and knowledgeable biography of an artist I knew well and admired tremendously... [Hilburn] pulls you into his story." -- Clive Davis

"The Man in Black's many fans will find this huge, sympathetic yet critical study of his serial rises, falls, betrayals and redemptions definitive." -- The Globe and Mail

"Full of information that will at once delight, depress, stimulate and surprise Cash's fans, Hilburn's admirable biography also evokes an image of the 'Man in Black,' staring ahead, somberly and slyly, and daring you to 'Figure me out, son.'" -- Tulsa World

"A library's worth of existing Johnny Cash volumes has finally gained a bio that depicts him as a fully-rounded human being.... No matter how many Johnny Cash books you've read, Robert Hilburn's Johnny Cash: The Life will be a different animal." -- CMT News

"While many others have tried to tell this story, including Cash himself with a couple of worthy autobiographies, Hilburn adds fresh and revealing details.... Quite simply, it's a monumental biography of a monumental American artist." -- Toronto Sun

"Hilburn humanizes the larger-than-life Man in Black in this evocative and surprising biography." -- Los Angeles Magazine

"Johnny Cash covers Cash's monumental highs and bottomless lows in unprecedented detail...The book is stuffed with warts-and-all revelations that might surprise you." -- Rolling Stone

"Hilburn's writing is simple, ego-free and casually magisterial. There's no bombast to it; he lets Cash and company supply all the pyrotechnics." -- The Washington Post

"Told with clear-eyed, riveting detail." -- San Antonio Express-News

"No doubt this long-awaited tome will go down as the definitive bio of the Man in Black - an epic befitting its subject." -- Vintage Guitar Magazine

"Hilburn writes passionately and respectfully....What Hilburn also does perfectly is present enough of Cash for you to love, hate and love him over and over again." -- Edge Media

"Undoubtedly a must-read for the completist, deep Cash fan." -- The Detroit News

"In his excellent biography...[he] uses the facts about the American cultural icon's life to construct a story that's both larger and more fascinating than the legend.... Hilburn has created the definitive narrative of this 'symbol of American honor, compassion and struggle.' It's a biography worthy of its subject." -- TribLive

"This is a very big and significant American life and this is a very big and thorough book about that life by a writer steeped enough in it to present a definitive version of the facts for years to come." -- The Buffalo News

"Hilburn's experience as a journalist and music critic yields a detailed, readable account, avoiding the overly stylized prose that sometimes undermines music biographies. His solid critical instincts offer insight.... Hilburn offers a straightforward sobering look at Cash's dramatic physical decline...." -- Pittsburgh Post-Gazette

Most helpful customer reviews

47 of 49 people found the following review helpful.
Excellent Book - Couldn't Put It Down!
By James A. Meyer
I've read Robert Hilburn for more than 35 years, and have always found his writing to be accurate, fair, and passionate. While I've never been a big fan of country music, I've come to appreciate Johnny Cash more and more over the years - especially his American Recordings albums with Rick Rubin.

I learned so much about the origins of Sun Records, Cash's passion for underdogs, his battle with addictions, his need for affirmation, and his physical ailments at the end of his life. As a Christian, I was interested to see how Hilburn handled Cash's faith, which was quickly glossed over in the film Walk the Line. In my view, Hilburn bent over backwards to represent Cash's faith and love for gospel songs in a way that would have pleased Cash no end. I didn't sense one syllable of ridicule for Cash's beliefs.

Hilburn's extensive interviews with Cash's family members, friends, and females were enlightening and contributed toward a well-rounded portrait of the man. Their commentaries on key events in Cash's life added emotion and insight to his sometimes erratic behavior.

But what I appreciated most about this book is that Hilburn continually focused on Cash's music, quoting Cash's lyrics at key junctures and letting Cash explain why he wrote and played certain songs. Cash was always at its best when he was authentic, which is why I love the American Recordings albums so much ... usually just the man and his guitar. Since there are hundreds of Johnny Cash albums available on CD - many of them compilations - Hilburn's recommended purchases at the end of the book will save readers much time as they seek to delve into his music.

I appreciated Hilburn's previous book Cornflakes with John Lennon and love this book as well. Because Hilburn respects both his subject and his audience, this book deserves a wide readership. I tried, but couldn't put it down ... and most likely, I'll pick it up again soon. Like its subject, this book is a winner.

72 of 80 people found the following review helpful.
"THERE WILL NEVER BE ANOTHER MAN IN BLACK." MERLE HAGGARD.
By Stuart Jefferson
"He is what the land and the country are all about, the heart and soul of it personified...". Bob Dylan.

"It's called country music and western music, but the truth is it's American music. It speaks in story about America in a way that speaks to all of us, north, east, west, and south." Richard Nixon at a White House concert.

With the holiday gift giving season fast approaching, there's no surfeit of books on musical artists. Books on Charlie Parker, The Beatles, Duke Ellington, Robert Plant, Jimi Hendrix, and no doubt others will be on the bookshelves. But certainly one of the best is Robert Hilburn's book on Johnny Cash.

Hilburn began this book in 2009 when Cash's manager told him "only about twenty percent" of Cash's life had been told. While previous books on Cash put his life and music in some kind of perspective, Hilburn takes a slightly different approach. He reveals not just Cash's life in and out of music, but why Cash matters. This book is a penetrating look at the man behind the "Man in Black" myth. And Hilburn never lets the myth get in the way of the facts. He has known, interviewed, and simply talked with Cash during his long (50 years) music career. Using interviews from both the past and present Hilburn has gone deeper into Cash's life, and has shone a light on both the real Johnny Cash and his music.

The book is broken into five parts, each dealing chronologically with a specific period and events from that period of Cash's life. Events like Memphis and Sam Phillips, Columbia Records, the tune "Big River" and pills, June Carter, drugs and Carnegie Hall, Folsom Prison and marrying June, losing the muse, Rick Rubin, and the final days are just a few of the many headings of events in the five parts chronicled in this book. There's 16 pages of b&w photographs from throughout Cash's life, including an early photo of Cash in his Air Force uniform playing a fiddle. And another photo from 1980, of Cash and his wife facing away from the camera--her arm around Cash's waste--his hand squeezing her buttock. Also included are 5 pages of a "Guide To Recordings And DVDs", 16 pages of Source Notes, and an Index.

The book begins early in Cash's life in Dyess, Arkansas and his rural 1930's upbringing. From there Hilburn, in a no nonsense, straightforward writing style, constructs Cash's life not only as a musician, but as a man with human failings, wracked with guilt. But also here is Cash "the practical joker", the man who wanted to buy his parents "...a nice place so they could have modern utilities...", the man with pressures in his personal life (which in one instance led to Cash's love song "I Walk The Line"), and the man who abused narcotics (and the price he paid for that). But Hilburn also notes Cash's other "addictions"--reading scripture everyday, his devotion to music, and a man who cared about his fans (Cash, learning of fans who had traveled far to see his concerts, would pay their room and board). As Marshall Grant said of Cash--"He'd give you the shirt off his back, and if he was straight, everything else he had in his possession."

Hilburn also notes Cash's guilt at not being a better father and husband. Roseanne Cash was very helpful, giving Hilburn a better look at her father--even to the detriment of Cash and the family. Cash was in a never ending circle of "wicked behavior" and then deep repentance. Cash wanted to redeem himself so others might feel they too could be redeemed. But there was also the father who named his daughter after pet names for his wife's breasts--"Rose" and "Anne". The author also weaves the Carter family into the picture and the their effect on Cash both musically and personally. He also reveals that June Carter had failings of her own to deal with.

In tandem with a detailed look at Cash the man, Hilburn has also delved extensively into the music side of Cash--using the same straightforward clear prose. For me the book is at its best when Hilburn goes into detail about the business side of Cash's life. He essentially begins with Cash going to Memphis and hooking up with Sun Records, and continues with his early recordings and hits, leaving Sun and signing with Columbia Records, Cash admitting that some of his albums weren't very good, recording gospel albums which took the pressure off Cash to write more secular songs (and hopefully hits), the many concerts he gave (including of course the Folsom Prison concert which Hilburn attended), being dropped by Columbia and not doing well on the Mercury label, worrying that his music would be forgotten, the fact that the 70's and 80's were not a good time for Cash, that Cash wrote approximately 1,000 songs, and his meeting Rick Rubin at a time when Cash felt his career over.

The book begins to wind down with Cash returning home because of his worsening Parkinson's Disease, and the passing of June Carter--as Rick Rubin said at the time--"I didn't know if he was going to make it past this." But not before Cash recorded a large cache of songs with Rubin as producer/facilitator, including "The Man Comes Around", and "Hurt". Hilburn gives the reader enough details that help put Cash's music in a much clearer light--from both Cash's and his fans perspectives. Nothing seems romanticized--everything rings sure and true, interesting, and informative. Having such attention to detail brings both parts of Cash's life into a sharper focus than in previous books.

While some previous books have done a good/adequate job with Cash's life story, none have really put everything in such clear terms--his life outside of music, and the music itself. Its Hilburn's leaving aside the myth, his attention to detail and his unflinching way of laying everything out--good and bad--that makes this book the one to read if you're interested in a look beyond the "Man in Black."

"His most enduring legacy is that his message continues to spread." John Cash, son of Johnny Cash.

33 of 37 people found the following review helpful.
The Man in Black
By H. P.
Biographers of musicians tend to face the same basic problem: outside of their music and antics, musicians tend to be as boring as anyone else (and for many the music isn't of much interest). Johnny Cash was different. He was an intelligent man, devouring books on history and religion. He was an iconoclast, when musicians' views are more often as predictable and conformist as they are simplistic. He had a deep abiding love for and commitment to gospel music, despite resistance from the music industry and a spotty record of church attendance. He did, like so many musicians, have serious drug problems, but Hilburn doesn't make that the focus of his biography. Rather, he keeps the focus exactly where it should be--on the music. It's a testament to the strength of Cash's songwriting that Hilburn can include so much of so many songs. They work as well as poetry as they do as songs, even the ones I wasn't yet familiar with.

Cash was a titan of music. What other musician could you write a 700 page biography on that would feel shallow in parts. Cash's career spanned across so many decades (from the 50s on) and trends in music (rockabilly to folk to outlaw country) and he interacted with so many other great musicians (from Elvis to Bob Dylan to Kris Kristofferson) and public figures (Nixon and Billy Graham) that inevitably something will leave you wanting more. Hilburn hits the most important points well, though, from the prison shows to Cash's passion for the downtrodden to his drug addiction (at too great length, that, but that's Cash's fault) to his triumphant final act with Rick Rubin. The book is packed with vignettes, like Cash being one of only three musicians to write Steve Earle a note while he was in jail for cocaine and weapons possession. Hilburn writes it all well and with a deep knowledge of the music (if with = a hint of snobbishness).

Disclosure: I received a complimentary e-copy of Johnny Cash: A Life via NetGalley.

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Outlaw Inlaws: (Or How to Get Along with your Children's In Laws), by Frieda Korobkin

  • Sales Rank: #5837279 in Books
  • Published on: 2006-10-19
  • Released on: 2006-10-19
  • Original language: English
  • Dimensions: 10.00" h x .10" w x 7.00" l,
  • Binding: Paperback
  • 40 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Outlaw Inlaws!
By Linda's Lookout
The most important book you will read when your son or daughter comes home with the news that their future in-laws are formidable and not in the French sense! This makes you laugh all the way through the pain of preparing for a wedding, let alone gettin' along...

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