Selasa, 30 Oktober 2012

[H819.Ebook] Download PDF Unmentionable: The Victorian Lady's Guide to Sex, Marriage, and Manners, by Therese Oneill

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Unmentionable: The Victorian Lady's Guide to Sex, Marriage, and Manners, by Therese Oneill

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Unmentionable: The Victorian Lady's Guide to Sex, Marriage, and Manners, by Therese Oneill

Have you ever wished you could live in an earlier, more romantic era?

Ladies, welcome to the 19th century, where there's arsenic in your face cream, a pot of cold pee sits under your bed, and all of your underwear is crotchless. (Why? Shush, dear. A lady doesn't question.)

Unmentionable is your hilarious, scandalously honest (yet never crass) guide to the secrets of Victorian womanhood, giving you detailed advice on:

  • What to wear
  • Where to relieve yourself
  • How to conceal your loathsome addiction to menstruating
  • What to expect on your wedding night
  • How to be the perfect Victorian wife
  • Why masturbating will kill you
  • And more

Irresistibly charming, laugh-out-loud funny, Unmentionable will inspire a whole new level of respect for Elizabeth Bennett, Scarlett O'Hara, Jane Eyre, and all of our great-great-grandmothers.

(And it just might leave you feeling ecstatically grateful to live in an age of pants, superabsorbency tampons, epidurals, antidepressants, and not dying of the syphilis your husband brought home.)

  • Sales Rank: #1529 in Audible
  • Published on: 2016-10-25
  • Format: Unabridged
  • Original language: English
  • Running time: 432 minutes

Most helpful customer reviews

11 of 12 people found the following review helpful.
Virginia Slims got it right "You've Come a Long Way, Baby".
By skeeterbug
I didn't find this quite as funny as it was made out to be, but there were moments I chuckled out loud. However, it was very informative, well researched, and very, very interesting. I won't go in to details, mainly because most of them are too gross for this forum, but it's amazing how women were treated, thought of, and expected to behave back then; not to mention the general uncleanliness that was the norm of that day. I am beyond thankful for our foremothers that had the strength to fight for improving the lot of all women. I am also exceedingly thankful for hypo-allergenic makeup, the ladies' aisle in the grocery store, showers, indoor plumbing that flushes, toilet paper, the ability to wear pants, and not to have to wear crotchless underwear under my skirts to so I can use a chamber pot with fewer issues.

26 of 27 people found the following review helpful.
... bits of information on what Victorian life was really like for women
By Nicola Mansfield
Well-researched and full of nifty little bits of information on what Victorian life was really like for women. The author takes us back to mid-century 1800s and switches between US and England telling us what our life as a wealthy woman would be like going into detail about the naughty bits, the toilette, the marriage bed, disease, etc. She also takes us downstairs as we learn to deal with servants, housekeeping and cooking. The book is easy-breezy to read and the author takes a laissez-faire attitude pushing jokes and puns throughout. As a voracious reader of Victoriana mostly interested in the downstairs and back alleys, I didn't find much I didn't already know but it was fun having a book devoted to the topics. The only thing that annoyed me was the author's poking fun at everything. It started off cute but just got more and more irratating as the book went on, until I got to a point where I just wished she'd stop. It would have been wiser, and easier on the reader, if she had opened each chapter with the teasing and sarcasm and then got down to the business at hand of imparting her knowledge.

0 of 0 people found the following review helpful.
Digital book of poor quality and writing style takes away from interesting look at Victorian Era
By Melissa E. Humphries
I didn't like the way it was written as if the writer was talking directly to me as if I was transported back in time. If she called me Cherie, darling or other cutsie names one more time, I would have hit her over the head, if I could have.
I liked the content but it was so heavily buried by the tone and opinion of the writer that it really grew tiresome. Just give me the facts, right? Not in this book.
For the price, I would have thought they could have done a better job with the digital format. Every picture had a caption that was not with the picture but instead on the next page. Some of the captions weren't even readable. For 18.00 I expect way better formatting!!!
I have read better books on this time period and I had high expectations for this book but I am embarrassed to even share that I paid for it. It's just so over the top cheesy. And it would be half the length if it wasn't inundated with nonsense.

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Selasa, 23 Oktober 2012

[I216.Ebook] Ebook Free Italian Verbs & Essentials of Grammar, 2E. (Verbs and Essentials of Grammar Series), by Carlo Graziano

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Italian Verbs & Essentials of Grammar, 2E. (Verbs and Essentials of Grammar Series), by Carlo Graziano

Your one-stop guide to mastering the basics of Italian

Can one book have all you need to communicate confidently in a new language? Yes, and that book is Italian Verbs & Essentials of Grammar. It offers a solid foundation of major verbal and grammatical concepts of the language, from pronouns to idioms and expressions and from irregular verbs to expressions of time.

Each unit is devoted to one topic, so you can find what you need right away and get focused instruction immediately. Concise yet thorough, the explanations are supported by numerous examples to help you master the different concepts. And for those tricky verbs, Italian Verbs & Essentials of Grammar includes a Verb Index of the most common verbs, cross-referenced with the abundant verb tables appearing throughout the book.

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  • An excellent introduction to the basics of Italian if you are a beginner or a quick, thorough reference if you already have experience in the language
  • Contemporary usage of verbs, adjectives, pronouns, prepositions, conjunctions, and other grammar essentials
  • Examples that reflect contemporary usage and real-life situations

  • Sales Rank: #625844 in Books
  • Published on: 2007-10-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.70" h x .50" w x 5.90" l, .76 pounds
  • Binding: Paperback
  • 256 pages

About the Author
Carlo Graziano is an experienced teacher of Italian.

Most helpful customer reviews

31 of 33 people found the following review helpful.
Essential Tool For Non-Native Speakers
By Amazon Customer
I will keep this short and to the point. I bought the first edition of this book back in the early 1990's and it propelled me on my way to understanding Italian at a much higher level than just interacting with the general public when I lived in Italy. I feel it is because of this book that I am often complemented by native speakers on the fact that I speak very proper Italian (I am told better than some who grow up in Italian speaking households!) I am happy to see a new edition of this book out because my first edition is well worn and it's past time for an update. I no longer live in Italy but I do use this book to keep my skills fresh. This book along with an Italian/English dictionary can help anyone learn to read, speak and understand proper Italian.

18 of 18 people found the following review helpful.
Italian Verbs
By N. Osellame
This book on Italian verbs is very comprehensive and has lots of other information that a dictionary would have, i.e. numbers, etc. I find it very helpful as a reference while I am learning Italian on audio tapes. I recommend it highly.

N. Osellame

3 of 3 people found the following review helpful.
Italian Verbs & Essentials of Grammar, 2E.
By Jan Hall
I find this book extremely useful as a reference.
It is up to date and it's very easy to find what I want to know.
Jan Hall

See all 13 customer reviews...

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Sabtu, 20 Oktober 2012

[A446.Ebook] Download PDF Manet's Modernism: or, The Face of Painting in the 1860s, by Michael Fried

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Manet's Modernism: or, The Face of Painting in the 1860s, by Michael Fried

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Manet's Modernism: or, The Face of Painting in the 1860s, by Michael Fried

Manet's Modernism is the culminating work in a trilogy of books by Michael Fried exploring the roots and genesis of pictorial modernism. Fried provides an entirely new understanding not only of the art of Manet and his generation but also of the way in which the Impressionist simplification of Manet's achievement had determined subsequent accounts of pictorial modernism down to the present. Like Fried's previous books, Manet's Modernism is a milestone in the historiography of modern art.

"Beautifully produced. . . . [Fried's] thought is always stimulating, if not provocative. This is an important book, which all students of modernism, in the broadest sense, will find rewarding."—Virginia Quarterly Review

"An astonishing piece of scholarship that will cause readers to rethink their understanding of Manet's influence, ambition, and achievement."—Gary Michael, Bloomsbury Review

"An audaciously brilliant book, long awaited and as essential reading for philosophers as for art historians."—Wayne Andersen, Common Knowledge

"Art history of the highest originality and distinction."—Arthur C. Danto, New York Times Book Review

  • Sales Rank: #1413641 in Books
  • Published on: 1998-11-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.20" w x 7.00" l, 2.89 pounds
  • Binding: Paperback
  • 676 pages

Amazon.com Review
Our current understanding of the paintings of Manet is so heavily filtered through the lens of Impressionism that in many ways, his contributions to art history have been obscured. Called the "first modernist," his paintings marked a break with the past and paved the way for what we've come to accept as modern art in the treatment of the canvas as a flat surface. But during his time, Manet's modernist innovations were the object of ridicule. "It's flat, it isn't modeled," said Courbet of the nude in the painting Olympia. "It's like the Queen of Hearts after a bath." In Manet's Modernism, Michael Fried has set out to see Manet as his contemporaries would have seen him and to gain a more accurate reading of Manet's place in history.

Review
... at once exciting, heroic and difficult ... It is art history of the highest originality and distinction. -- The New York Times Book Review, Arthur C. Danto

Most helpful customer reviews

19 of 23 people found the following review helpful.
Returning to the Cardinal Manet Resource: An Appreciation
By Grady Harp
Michael Fried published his magnum opus 'Manet's Modernism: or, The Face of Painting in the 1860s' in 1996, the compendium of three books, actually, that remain the most significant resource of the study of the much maligned painter Edouard Manet. In Manet's time he was essentially hidden in the rise of the more popular Impressionists, garnering criticism form his colleagues and critics alike for works that appeared to mannered, too posed, to unnaturally lighted. But fine author and historian Michael Fried introduces some new ideas about the painter that could just place him in the echelon of the first of the Modernists.

Fried 'suggests' that Manet's paintings were for the most part tableaus created in his studio from professional and non-professional models wearing costumes suggestive of the many allegories and historical events that Manet painted. That fact, in and of itself, does not venture Manet much further thatn say, Caravaggio et al, but it is the interplay between the subjects and the painter (and hence the observer) that Fried alls to our attention. The lighting of his paintings seem to have its source from the front as opposed to the back lighting or streams of side lighting usually chosen by other painters. And to make the controversy even more interesting, Fried suggests that this studio technique coupled with various observances of his models' features (eg. barefeet that suggest having worn contemporary type shoes) may - and the important word is 'may' - represent the uses of photography as the tool Manet used! Horrors! you say? But then by the time of the painting period of the 1860s that Fried is exploring, photography was well known and fairly widely used as a means of documenting history, battles, families etc. So why should an artist of Manet's importance not include this new tool in his painting paraphernalia?

It is an interesting concept and one that in today's widely used techniques among artists of not only using photographs to reference 'sittings' for later solo studio work but also to include photography in the canvases (witness Rauschenberg, etc) makes complete sense. Gone are the prejudices against photography as not being 'pure'. And it just may be that Manet, if he indeed used photographs in his painting preparation, is more important in the overall history of painting advancement than he has been regarded! A fascinating book (even at 676 pages) and a fine addition to the library. Grady Harp, January 07

5 of 5 people found the following review helpful.
History versus Criticism
By Conrad J. Obregon
It has been said that images of Edouard Manet marked the beginning of modern painting. The great art critic and art historian Michael Fried explores the work of Manet and several contemporaries.

The book opens with the republication of an earlier article by Fried in which he suggested that the sources of many of Manet's important works were in the art of earlier times and cultures and has a second chapter aimed at refuting the arguments against his thesis by other critics and historians. Fried concludes that Manet was trying to create some kind of universal art. To do so he refers to earlier pictures by artists from Rembrandt to Watteau which he maintains show the connections and derivations. In most case the similarity was usually as to the posing of certain figures in both Manet's and the earlier works. While quite interesting, I was unconvinced since there was no evidence directly from Manet of his intentions. Moreover, it seemed to me that if one looked enough through the bodies of works of the earlier artists, one would be bound to find similar poses.

In the third chapter, the author addresses many of Manet's contemporaries, including Millet, Fantin-Latour, Legros and Whistler. In this examination, Fried pays particular attention to a concern he has previously addressed, namely the opposition between absorption and theatricality. (To oversimplify, in images characterized by absorption, the subject appears not to be aware of his subjectness, while theatricality shows an awareness of the viewer.) In exploring the issue, Fried discusses the reactions of art critics of the time to the work of the artists, particularly their appraisal of the value of the images based upon their place on the absorption/theatricality continuum. The fourth chapter deals in the same way with Manet.

The fifth chapter is a strange one that deals primarily with self-portraits and the effect of the artist viewing himself in a mirror. There is a coda appended in which Fried summarizes what has gone before, and concludes that he is unable to have any final word on what Manet's goals were with respect to absorption and theatricality. There are several appendices in French and English with the comments of critics of the time and 168 pages of notes.

Fried is both a critic and historian, and this book illustrates the distinction. He is concerned about the history of the art without drawing conclusions as to the quality of the work of the artists, and other than describing technique, gives us little clue as to how to appreciate the works. Indeed, I sometimes felt that he didn't particularly care for the work of Manet and his contemporaries. For those who believe that art is a way to understand the culture and times in which the art is created this book will be interesting. On the other hand those who believe that the purpose of art is to transform our vision of the world will find less help in using Manet as an agent of transformation.

0 of 1 people found the following review helpful.
If you want to understand the claim that, in ...
By Gordon G. Young
If you want to understand the claim that, in some senses, Manet was the first modernist painter, you must read this book. Note: it is complex, but well worth it.

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Principles of Interactive Computer Graphics (McGraw-Hill computer science series), by William M. Newman

Titlee: Principles of Interactive Computer Graphics
Author(s): William M. Newman
Publisher: Mcgraw-Hill College
Publishing year: 1979
Sate: Second Hand - Good
ISBN : 9780070463387
Comment: Former library book. Ammareal gives back up to 15% of this book's net price to charity organizations.

Ammareal sells online second hand books provided by our partners which are associations and lbraries.
A portion of the price of each book is donated to our partners or to charities.
What we do not sell is given, what we do not give is recycled.

  • Sales Rank: #2440313 in Books
  • Published on: 1978-07
  • Original language: English
  • Number of items: 1
  • Binding: Hardcover
  • 541 pages

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Selasa, 16 Oktober 2012

[D534.Ebook] PDF Ebook Fallacies: Classical and Contemporary ReadingsFrom Penn State University Press

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Fallacies: Classical and Contemporary ReadingsFrom Penn State University Press

Since 1970, when Charles Hamblin issued a challenge for philosophers, logicians, and educators in general to begin work anew in fallacies, a serious literature on fallacies has indeed developed. Part of this literature deals with the theory of what fallacies are; another part of it contains rigorous analyses of particular fallacies. However, most is still not readily accessible to the researcher, teacher, or student of the field. As a result, the best work on fallacies is not finding its way into the classroom, nor is it informing the educational and intellectual experiences available to most college and university students.

A major purpose of this book is to make the post-Hamblin work on fallacies available to a wider audience in a single, convenient volume. The editors have brought together for the first time the most important historical writings on fallacy theory, from Aristotle to John Stuart Mill, and the most recent and most important theoretical and pedagogical developments in the field since Hamblin's landmark 1970 book. All but a few of the essays included are new contributions for this anthology, and an extensive annotated bibliography is included for researchers and students of fallacies and fallacy theory.

  • Sales Rank: #3558682 in Books
  • Published on: 1995-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .88" w x 6.00" l, 1.10 pounds
  • Binding: Paperback
  • 368 pages

About the Author

Hans V. Hansen is Consulting Editor of the journal Informal Logic.

Robert C. Pinto is Associate Professor of Philosophy at the University of Windsor. He is the author (with J. A. Blair) of Reasoning: A Practical Guide (P1993).

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Selasa, 09 Oktober 2012

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The Demon of the Southwest Wind is a true story. Combining true crime and memoir, it describes one man's quest to find the truth to one of crime's most enduring mysteries: who was the Zodiac Killer, what crimes did he commit, and why did he do what he did? In the course of the investigation, the author finds startling new facts about the case, the killer, and himself. The motive for the crimes seems drawn from fantasy, but it was the Zodiac's fantasy that was drawn from reality. The Demon of the Southwest Wind is highly readable and solidly researched, full of new information and insights. You may think you know about the Zodiac crimes, but you do not. No one has really understood the Zodiac Killer, until now. Read it like a novel, but know it is the truth.

  • Sales Rank: #2683515 in Books
  • Published on: 2015-07-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .63" w x 5.98" l, .89 pounds
  • Binding: Paperback
  • 300 pages

Most helpful customer reviews

1 of 3 people found the following review helpful.
Kaufman Did Have Zodiac Killer HOOD!
By Harriette Sucher
Professor Dewhurst: TY for finally coming out with the book and pictures not seen on internet! You prove Kaufman did have the Zodiac Berryessa Hood by the Pi measurements and the cross stitch pattern Zodiac attempts to display 11/9/69 with X and spatial dots in the slightly imperfect circle describing the measurements. In one of the Zodiac letters, he mentions about inches along the radian. In other words how did the Tarrance & Kaufman family know the size of the cross/circle shape and the type of stitch pattern used by Zodiac? As per your book- "the diameter of the circle was what I thought it would be: about 6.28 inches. The diameter was that of the circle which would be inscribed by a protractor set to a 3.14 inch radius. A radius of Pi." It has been a long journey and despite all the ups and downs, would do it all over again because, like you, Dennis, Nanette Barto, and so many who have struggled with the reality Jack may be Zodiac....we know the truth when we see experience it all. I was given permission by Dennis Kaufman to work on the Jacks codes last year and to remember you had the biographical rights when compiling my book coincidentally out now. Please, Professor, let's work together as I got Jack's keys to his codes as shown to me by Dennis....long story but in Jack's own words, his own way, in code, he tells all on the CIA, MkUltra which was operating illegally there in San Francisco. Lastly, thank you for sharing Nanette Barto's work in such a positive light. Dennis, when he lived with me and most of us from the earlier days were not talking (thx to disinformationalists wishing to crush & bury us), he said that should books come out on Jack, Nanette is to be given ultimate positive respect for her role because no one could have got as far as he did or even anyone us has without her dedicated accomplishment of nailing the handwriting which did air of True Crime With Aphrodite Jones in the end saying 'according to FBI, handwriting is a match' TY again Professor Dewhurst! Signed Harriette Sucher aka Catseye from the old DK MB & @707Catseye

0 of 4 people found the following review helpful.
I'm Steve's mom and I have followed his journey as ...
By Delores Dewhurst
I'm Steve's mom and I have followed his journey as he researched and compiled the facts contained in this book.

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Senin, 08 Oktober 2012

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You've researched your character extensively, tailored her to your audience, sketched hundreds of versions, and now you lean back content as you gaze at your final character model sheet. But now what? Whether you want to use her in an animated film, television show, video game, web comic, or children's book, you're going to have to make her perform. How a character looks and is costumed starts to tell her story, but her body language reveals even more. Character Mentor shows you how to pose your character, create emotion through facial expressions, and stage your character to create drama. Author Tom Bancroft addresses each topic with clear, concise prose, and then shows you what he really means through commenting on and redrawing artwork from a variety of student "apprentices." His assignments allow you to join in and bring your drawing to the next level with concrete techniques, as well as more theoretical analysis. Character Mentor is an apprenticeship in a book.

Professional artists from a variety of media offer their experience through additional commentary. These include Marcus Hamilton (Dennis the Menace), Terry Dodson (X-Men), Bobby Rubio (Pixar), Sean "Cheeks" Galloway (Spiderman animated), and more. With a foreword by comicbook artist Adam Hughes, who has produced work for DC, Marvel Comics, Lucasfilm, Warner Bros. Pictures, and other companies.

  • Sales Rank: #211484 in Books
  • Published on: 2012-04-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x 8.75" w x .50" l, 1.30 pounds
  • Binding: Paperback
  • 178 pages

Review

"You've researched your character extensively, tailored her to your audience, sketched hundreds of versions, and now you lean back content as you gaze at your final character model sheet. But now what? Whether you want to use her in an animated film, television show, video game, web comic, or children's book, you're going to have to make her perform. How a character looks and is costumed starts to tell her story, but her body language reveals even more. Character Mentor shows you how to pose your character, create emotion through facial expressions, and stage your character to create drama. Author Tom Bancroft addresses each topic with clear, concise prose, and then shows you what he really means through commenting on and redrawing artwork from a variety of student 'apprentices.' His assignments allow you to join in and bring your drawing to the next level with concrete techniques, as well as more theoretical analysis. Character Mentor is an apprenticeship in a book."--CartoonBrew.com

"If, like me, you are always looking to push yourself as a character artist I cannot recommend this book enough... Each chapter is a lesson on a specific topic, ranging from Posing to Shape-based composition. At the end of a chapter [Tom] sets you homework followed by examples of completed tasks by fellow students. Tom himself has gone over each example, annotating and thoroughly explaining each one in order for you to see how to bring your own work up to scratch...The best thing about this book for me, however, is that it doesn’t end. You can never be truly finished with it as the teachings within are always relevant...it’s like having a teacher on your shelf that will never be too busy to help you out and will always give you good advice."--Robin Liebschner, Skwigly.com

 

About the Author
Tom Bancroft is a 30 year veteran of the animation industry. In his artistic career he has specialized in children's character designs, animation, video game development, and comic books. Formerly, he worked at Walt Disney Feature Animation for twelve years, animating on new Disney classics, including Beauty and the Beast, The Lion King, Aladdin, Pocahontas, Mulan, Brother Bear, and more. He is the author of the popular character design book Creating Characters with Personality: For Film, TV, Animation, Video Games, and Graphic Novels.

Most helpful customer reviews

25 of 25 people found the following review helpful.
Another excellent work by Tom Bancroft!
By wandrlust
Since I was 3 years old I wanted to be a Disney animator. I've practiced and practiced and gotten pretty far studying the masters of animation. But there was always just a little something missing. This book has already given me the boost I need. It has tons of helpful advice for anyone from novice to advanced users. Most books on character design really only scratch the surface. Tom Bancroft takes a chisel and turns that surface into a carefully sculpted work of craftsmanship. He allows us on the "outside" of the industry to finally get at all the juicy tips he learned in his time at Disney. Outstanding work, Tom. I'm forever a huge fan.

20 of 20 people found the following review helpful.
BEST HOW-TO BOOK ON CARTOONING EVER?
By Eric C. Martin
I don't know where to begin praising this book. Sure, there's TONS of how-to books on cartooning out there
but FINALLY here's a book that is hyper-specific on the little nuances of creating characters. "Twinning", using depth,
specifics on how wrinkles work on clothing, etc. In addition, there's contributions by other artists like Terry Dodson,
Stephen Silver, etc. Also, there's some assignments for the reader to do. Tom's Disney-esque drawing style is just bursting with
life and energy. (Obviously a graduate of CAL-ARTS.)

Please note that this may not be a book for beginners. The book focuses more on bringing life and energy to your
characters.

I highly recommend purchasing Tom's previous book "Creating Characters with Personality" too by the way.

A MUST for any aspiring cartoonist!

15 of 15 people found the following review helpful.
The Real Deal
By B. Wong
In the fields of animation and illustration, the craft of character design is often completely overlooked by the casual observer. Instead, the human eye perceives the most well-crafted characters as living things, whether we're looking at a sequence of frames or simply one static image, because the finest character designers have learned what exactly tricks the brain into seeing life in lines.

There have been a handful of books over the last thirty years or so that have touched on this topic to one degree or another. However, these are very often oversimplified, starting with volumetric shapes and hurrying through the details to arrive at the quickest complete character possible. Such methods are certainly valid and universally applicable -- for first-year animation students, perhaps, or fledgling comic book artists. Up until now, the question of what makes a character truly unique and lively has been left as something the novice must explore him/herself.

Tom Bancroft's book is probably the first one of its kind that goes past this basic level. Right off the bat, Tom assumes the reader is not only intelligent but avidly interested in the details. He explores perceptual cues, the various methods of conveying emotion and personality (which are far more numerous than simply drawing a smile or a frown), and the tiny little decisions that can completely alter the way an audience will see a character, for better or for worse.

Tom's experience as a veteran of Disney's traditional animation era really shines through here. And in an age where technology provides an ever-increasing range of shortcuts, it's ultimately all the more important that these techniques be detailed and passed on to the next generation of artists. Check this out -- you won't regret it.

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Minggu, 07 Oktober 2012

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Internet Architecture: An Introduction to IP Protocols, by Uyless D. Black, Uyless Black

Guide to key Internet protocols. Gives detailed overview of how the Internet works and how it has evolved, presents architectural model showing how TCP/IP and related protocols fit together, and organizes them into key functional areas. DLC: TCP/IP (Computer network protocol).

  • Sales Rank: #4849875 in Books
  • Published on: 2000-06-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.29" h x 7.25" w x 9.51" l, 2.11 pounds
  • Binding: Hardcover
  • 380 pages

Most helpful customer reviews

2 of 2 people found the following review helpful.
From the author
By UYLESS D. BLACK
From Uyless Black: Some ten years after writing technical books and receiving reviews on them, I've decided to respond to the input from readers. I should have done so sooner, but here it is now. You will now see this note placed on the comments for each book that is listed on this site, so don't bother re-reading. The note is the same for all the technical books.

The "pros" comments have dealt mainly with an easy to understand format. The "cons" comments have focused on the books (a) not being suited for college classes, (b) too many typos, and (c) mere recitations of ITU and Internet standards. There are other positive and negative comments, but these four points stand out.

The books were intended to be general references; general in relation to the topic itself. They were designed specifically to provide a relatively non-technical overview of ITU and Internet standards. They were used mostly by professionals who had degrees, and needed to (quickly) come to a general understanding of a set of standards. Afterwards, the readers could then go into the details of the standards themselves. Thus, my task was to distill many pages of highly detailed specifications into a few pages of summaries. One of the principal criticisms of the books was the very reason they were written.

I fault myself and my three publishers for not catching the typos, of which there are just too many. I was being asked by my publishers and my clients to hurry-up and get the next summary text out the door, as the clients' projects were beginning. That is why I wrote so many books in a short time. The technologies were coming out in rapid succession, and people did not have the time to read perhaps thousands of pages of standards. I did not take sufficient time to proof. But my publishers, sometimes with two to three proof readers---and at least one technical expert---reading a manuscript also dropped the ball.
I think my books provided a valuable service to my readers. My clients used them extensively, and I believe I was able to "short-cut" them to later read the details more efficiently. Nonetheless, in hindsight the books were insufficiently edited and written with too much haste.

I've been quite surprised that these books are still being sold. Not because they do not have merit, but that they are out-dated. The market for them does not come from the publishers, but from being on the used book market. My recommendation to you is not to buy technical books that are (sometimes) over ten years old.

One last point, which I hope you find humorous, perhaps ironic. Some readers compared some of my work unfavorably to an esteemed writer and lecturer. I read some his books. One contained a figure what was quite similar to a figure in one of my books; so similar in fact, that it included an error I had made in the figure. He did not source my figure, but led the reader to think it was his own creation----and his own error!

I would welcome any thoughts you might have. You can send them to Blackssteets@aol.com.

3 of 6 people found the following review helpful.
Internet Architecture and Protocols: The Complete Video
By William Humphrey
This book is also part of Uyless Black's Internet Architecture and Protocols: The Complete Video Course. It is a must for anyone needing instruction on TCP/IP. The ISBN# 0130303291 contact Amazon to see when they will stock this product. This kit contains a workbook and video tapes. Thank you Mr. Black !
William Humphrey MCSE, CCNA, CCDA, MCP

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Senin, 01 Oktober 2012

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Bluestocking Guide: Economics (Study Guide for Whatever Happened to Penny Candy?), by Jane A. Williams

  • Sales Rank: #1141870 in Books
  • Brand: Brand: Bluestocking Pr
  • Published on: 2000-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.75" h x 8.25" w x .50" l,
  • Binding: Paperback
  • 126 pages
Features
  • Used Book in Good Condition

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3 of 3 people found the following review helpful.
What Ever Happened to Penny Candy
By Carl L. Shore
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Four Stars
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