Senin, 28 Juni 2010

[Y706.Ebook] Free PDF The Artist's Handbook of Materials and Techniques: Fifth Edition, Revised and Updated (Reference), by Ralph Mayer

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The Artist's Handbook of Materials and Techniques: Fifth Edition, Revised and Updated (Reference), by Ralph Mayer



The Artist's Handbook of Materials and Techniques: Fifth Edition, Revised and Updated (Reference), by Ralph Mayer

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The Artist's Handbook of Materials and Techniques: Fifth Edition, Revised and Updated (Reference), by Ralph Mayer

Since 1940, when it was originally published, The Artist's Handbook has become indispensable for thousands of practicing artists and art students. The book has remained continually in print through many editions and has sold more than a quarter of a million copies. A detailed index makes a wealth of information readily available. Charts and line drawings throughout.

  • Sales Rank: #59064 in Books
  • Brand: Penguin
  • Published on: 1991-05-31
  • Released on: 1991-05-31
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.56" h x 2.13" w x 6.44" l, 2.70 pounds
  • Binding: Hardcover
  • 784 pages

About the Author
Ralph Mayer (1895-1979) was a painter and art conservator. Educated as a chemical engineer, he worked in paint manufacture and studied painting at the Art Students League of New York before going on to teach at Columbia University. He founded the Artists Technical Research Institute in 1959. He is best known as the author of The Artist's Handbook of Materials and Techniques (1940), which is still a point of reference for artists today, and he also wrote The Painter's Craft (1948) and A Dictionary of Art Terms and Techniques (1969).

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73 of 73 people found the following review helpful.
The Artist's Bible
By AliMcJ
This is the Artist's classic, and the Artist's Bible of not only what materials are but when they came into use, how they are formulated and why. Want to learn how to make your own gesso for silverpoint? Want to cut a quill pen? Want to make your own pastels? Can't remember how to make your own sizing or gesso? Want to try your hand at encaustic or egg tempera painting? Want to know which colors in the spectrum are likely to fade (are fugitive colors) in watercolor and which are not? It's here.

71 of 72 people found the following review helpful.
Very helpful for serious artists seeking permanence of work.
By Dee
Probably the best, most available and comprehensive book on the technical aspects of painting. Very useful for artists who pursue absolute soundness of technique with a mind for permanence of their work. Explains in detail the wide range of supports, grounds, primers, pigments, media and application methods, as well as their respective benefits and defects. Certainly not for the casual reader.

31 of 32 people found the following review helpful.
A must for the artist's library
By Edward Falis
I had this and an earlier edition of the book and found both to be exceptional resources. We are buying this book for our daughter, who after 3-1/2 years of high priced college study in art conservation still doesn't know how to do so many of the basic, time tested procedures that are the foundation of enduring artwork. Ralph Mayer's approach takes the mystery out of the science of art. Every student of art should have this book.

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Senin, 21 Juni 2010

[P984.Ebook] Free PDF The Impotence Epidemic: Men's Medicine and Sexual Desire in Contemporary China (Critical Global Health: Evidence, Efficacy, Ethnography)

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Since the 1990s China has seen a dramatic increase in the number of men seeking treatment for impotence. Everett Yuehong Zhang argues in The Impotence Epidemic that this trend represents changing public attitudes about sexuality in an increasingly globalized China. In this ethnography he shifts discussions of impotence as a purely neurovascular phenomenon to a social one. Zhang contextualizes impotence within the social changes brought by recent economic reform and through the production of various desires in post-Maoist China. Based on interviews with 350 men and their partners from Beijing and Chengdu, and concerned with de-mystifying and de-stigmatizing impotence, Zhang suggests that the impotence epidemic represents not just trauma and suffering, but also a contagion of individualized desire and an affirmation for living a full life. For Zhang, studying male impotence in China is one way to comprehend the unique experience of Chinese modernity.

  • Sales Rank: #563367 in Books
  • Published on: 2015-03-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.88" h x .65" w x 6.48" l, .0 pounds
  • Binding: Paperback
  • 304 pages

Review
"Based on over 10 years of field research and writing by a greatly sensitive and skilled ethnographer who himself grew up in China, The Impotence Epidemic tells the story of contemporary China, from the Maoist era to the present, through the Chinese medicine conception of the lived body and popular Chinese understandings of how masculinity, sexual desire, and performance act as embodied metaphors of key cultural tensions and crises. Theoretically and ethnographically rich. A remarkable achievement!" (Arthur Kleinman, coauthor of The Ground Between: Anthropologists Engage Philosophy)

"Everett Yuehong Zhang's ethnography about impotence is a tour de force. Repressed during the Cultural Revolution, sexual desire is today enhanced by doctors of nanke (men’s medicine) who use an eclectic mix of herbal medicine and Viagra. By embedding the experience of impotence in specific historical, social, and political moments, with moveable moral implications, this sensitive subject can no longer be thought of simply as a failed 'neurovascular event.' (Margaret Lock, coauthor of Beyond the Body Proper: Reading the Anthropology of Material Life)

"[A] welcome contribution to the emerging body of valuable work that explores male reproductive identities and modalities through multidisciplinary approaches. The book is valuable for researchers, experts and scholars trying to pursue multidimensional methodological studies that superbly combine history, anthropology, ethnography and medical studies." (Sonia Wigh Centre for Medical Humanities 2016-01-27)

"The many life stories of trauma and unhappiness resulting from real or imagined sexual impotence presented here are often touching and depressing, but Everett Zhang has managed to skilfully weave these individual cases to produce an overall picture of men and women seeking ways to satisfy their desires rather than accepting their lot. . .. I applaud the optimistic and thoughtful tone he has adopted, and I fully recommend the book to anyone interested in China or how human beings cope with misfortune. ...[T]he topic is not a joyous one, but the book is a pleasure to read and I have no doubt it will be cited for years to come." (Kam Louie The China Quarterly 2015-09-01)

"[A] beautifully written and intellectually stimulating ethnography on a controversial topic that few anthropologists have examined. ... Drawing on rich ethnographic data, well-structured methodologies, and insightful interpretations of China’s recent social changes, Zhang debunks many popular and scholarly stereotypes about male impotence. ... I would strongly recommend this book to scholars and students who are interested in medical anthropology, health, sexuality, gender, modernization, and Chinese studies." (Xia Zhang Anthropological Quarterly 2015-07-01)

"Written in a clear and lucid manner, The Impotence Epidemic is suitable for courses in medical pluralism, the anthropology of the body, and gender and sexuality in Chinese culture." (Howard Chiang Medical Anthropology Quarterly 2016-02-01)

"Zhang’s ability to weave the history of these complicated periods into his study on impotence in a manner accessible to both Chinese specialists and non-specialists alike is a particular strength of the book.... Zhang’s work is an important contribution to our understanding of the study of masculinity, sexuality, medicine and social policy in contemporary China."  (Melissa S. Dale Social History of Medicine 2016-04-06)

"Ethnographically engaging and rich, this book contributes to the anthropological debates on health, sexuality and medicine.... [T]his book will be welcomed by a wide array of scholars interested in topics such as gender, sexual desires, impotence and Chinese medicine in China and beyond." (Tiantian Zheng The Asia Pacific Journal of Anthropology 2016-03-30)

About the Author
Everett Yuehong Zhang is Assistant Professor of East Asian Studies and Anthropology at Princeton University. He is the co-editor of Governance of Life in Chinese Moral Experience: The Quest for an Adequate Life, and co-author of Deep China: The Moral Life of the Person.

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5 of 5 people found the following review helpful.
Getting It Up in China
By Etienne RP
Everett Zhang was conducting fieldwork in two Chinese hospitals, documenting the reasons why men sought medical help for sexual impotence, when Viagra was first introduced into China's market in 2000. He therefore had a unique perspective on what the media often referred to as the "impotence epidemic", designating both the increased social visibility of male sexual dysfunction and the growing number of patients seeking treatment in nanke (men's medicine) or urological hospital departments. At the time of Viagra's release, Pfizer, its manufacturer, envisaged a market of more than 100 million men as potential users of "Weige" (Great Brother) and hoped to turn China into its first consumer market in the world. Its sales projections were based on reasonable assumptions. The number of patients complaining from some degree of sexual impotence was clearly on the rise, reflecting demographic trends but also changing attitudes and values. There was a new openness in addressing sexual issues and a willingness by both men and women to experience sexually fulfilling lives, putting higher expectations on men's potency. Renewed attention to men's health issues since the 1980s had led to the creation of specialized units in both biomedical hospitals and TCM (traditional Chinese medicine) clinics. There was no real competitor to Pfizer's Viagra, as traditional herbal medicine or folk recipes clearly had less immediate effects in enabling sexual intercourse.

And yet Viagra sold much less than expected. In hospitals and health clinics, Chinese patients were reluctant to accept a full prescription. Instead, they requested one or two single pills, as if to avoid dependence. The drug was expensively priced, and customers were unwilling to sacrifice other expenses to make room in their budget. In addition, Viagra did not substitute for traditional remedies, but rather developed in tandem with them as people switched between Viagra and herbal medicine, taking both for seemingly compelling reasons. Viagra addressed the issue of erectile dysfunction, and its bodily effects were clearly experienced by Chinese men who reacted to it in much the same way as male subjects elsewhere. But it did not bring an end to the "impotence epidemic", which continued to be framed as more than a health issue by the Chinese media. Viagra did not "cure" impotence or restored men's potency because it was unable to do so. Pfizer's projected sales figures had been based on false assumptions, and the Chinese market proved more resistant than initially envisaged.

Zhang proposes a compelling theory of why it was so, thereby demonstrating the value of a fieldwork-based anthropological study as distinct from other types of scholarly explanations. In contrast to the dominant biomedical paradigm, he rejects the notion that male potency can be reduced to the simple ability to achieve an erection. Impotence is much more than a bodily dysfunction or a "neuromuscular event": witness, as Zhang did, the despair of men who complain of having lost their "reason to live", or the frustration of women who accuse their companion of having become "less than a man". But impotence is not only a metaphor, as some cultural critics would have it. Impotence is often presented as the symbol of a masculinity in crisis or as a sign of the "end of men" and the rise of women in postsocialist China. But these generalizations do not reflect the practical experiences of impotent men, nor do they explain why the demand for more and better sex resulted in anxiety for some men, leading to impotence. "In fact, notes the author, none of the discussions surrounding Chinese masculine crises was either soundly conceptualized or empirically supported."

Zhang's fieldwork confirmed the rise of women's desire or increased people's longing to enjoy sex throughout their adult life, but did not go as far as to validate the claim of an "impotence epidemic" or to testify to a "new type of impotence". During the Maoist period, people were discouraged from seeing doctors about impotence, as sexuality was repressed and the desire for individual sexual pleasure was regarded as antithetical to the collective ethos of revolution. If anything, patients came to consultations to complain about nocturnal emissions (yijing), a complaint that more or less disappeared in the post-Maoist era. When men's health clinics or nanke departments emerged in the new era, they medicalized impotence and established it as a legitimate "disease" warranting medical attention. Private selves emerged when the overall ethos of sacrifice and asceticism gave way to the exaltation of romantic love and then to the justification of sexual desire and pleasure. But structural impediments to sexual desire did not disappear overnight, such as the physical separation of married couples and other constraints on intimacy induced by the danwei (work unit) and hukou (household registration) systems. Other biopolitical interventions created gaps between the revolutionary class and the outcast relatives of counter-revolutionaries, between the urban and the rural or, more recently, between the rich and the poor.

The main value of the book lies in its rich collection of life stories and individual cases of men and women confronted with impotence. The amount of suffering accumulated under Maoist socialism is staggering. People interviewed in the course of this research retained collective memory of starvation during the Great Leap Famine, and feeling hungry was a common experience well into the sixties. Maoist China was a man-eat-man's world, where middle-aged men would snatch food from school children or steal from food stalls to assuage their hunger. It was also a time when children would denounce their parents for counterrevolutionary behavior, or would call their mother by their given name in a show of disrespect in order to draw a clear line between themselves and bad parents. Sexual misery and backwardness also provided a common background. Some of Zhang's interlocutors never touched a woman's hand until they were thirty years old; others confessed that the first time they saw a naked female body was when they saw a Western oil painting of a female body, or when they glimpsed scenes of a classical ballet in a movie. A nineteen years-old girl didn't understand the question when the doctor asked if she had begun lijia (menstruation) and thought lijia was a foreign word. Many persons consulting for impotence confess that they never had sexual intercourse or had tried to have sex once of twice but failed. Their conviction that they were impotent was based on very limited physical contact with women or was merely a product of their imagination.

As Zhang argues convincingly, it takes two to tango; or in words borrowed from phenomenology, "in the final analysis, curing impotence means building intercorporeal intimacy." In paragraphs that could have been borrowed from Masters and Johnson, Zhang describes the various components of sexual intercorporeality: bodies need to be in contact, as in "touching, kissing, licking, rubbing, and so on"; but they also need to be in sync, geared toward one another in a process of "bodying forth"; and other sensory inputs (such as "seeing, touching, and smelling the naked female body, tasting the tongue of the female, or hearing her scream") may provide additional stimulus. Male impotence very often originates in the failure of one of these intercorporeal dimensions: lack of touching, as when the husband lies side by side to his wife, waiting to achieve an erection; ignorance of the most basic facts of life, due to the lack of sex education; and withdrawal from the sensory world that is symptomatic of a more serious loss of "potency" in life. As the author notes, with a good deal of common sense, "women's involvement in managing impotence is not any less important than men's, and, in fact, at times may be more important. Impotence, after all, is not only a neurovascular event affecting the individual male body. It is also a social, familial event and an intercorporeal, gendered event."

The Impotence Epidemic is not only ethnographically rich, it is also theoretically elaborate. Zhang received his PhD in anthropology from the University of California at Berkeley, in a department known for its emphasis on social and cultural theory. One of his teachers, Paul Rabinow, initiated generations of English-speaking students to the thought of French philosopher Michel Foucault. His thesis advisor, Arthur Kleinman, who teaches medical anthropology at Harvard, recently edited a book (reviewed here) about how anthropologists engage philosophy. Zhang confesses he took classes in philosophy, including one with John Searle, who involuntarily provided him with a way to think about erection ("Now I want to raise my right arm. Look, my right arm is up.") Throughout the book, he makes frequent references to Gilles Deleuze, Michel Foucault, Merleau-Ponty, and Heidegger, as well as to Freud and Lacan.

Engaging the thought of these canonical authors can sometimes feel as intimidating as having sex for the first time. Zhang shows it doesn't have to be so. What is important is to build a rapport. Zhang graduated from his theory-heavy curriculum with a pragmatic mindset and a heavy dose of common sense. He uses what he can get from the theoretical toolbox, without forcing his erudition onto the reader. He is able to summarize complex reasoning in a few sentences, and to turn difficult words into useful tools. Sometimes only the title of a book or one single expression coined by one distinguished thinker can open up an evocative space and act as useful heuristic. Zhang refers to Deleuze and Gattari's A Thousand Plateaux to label his collection of life stories and medical cases as "one thousand bodies of impotence." Impotence is itself a kind of plateau, defined by Gregory Bateson as a force of continuous intensity without any orientation toward a culminating point or an external end. Throughout his book, Zhang provides succinct and transparent definitions of key concepts--Deleuze's assemblages, Bourdieu's habitus, Foucault's biopower, Merleau-Ponty's intercorporeality, Heidegger's being-in-the-world, etc. He then tests their validity by confronting them to his fieldwork observations, sometimes giving them a twist or new polish to make them fit with his ethnographic material. In many cases, theory is found lacking, and needs to be completed with the lessons learned from participatory observation.

Zhang's two main sources of philosophical inspiration are Deleuze and Foucault. The first allows him to think about the impotence epidemic as a positive development that signals the rise of desire; the second provides him with a method for investigating the cultivation of self in post-Maoist China. Criticizing Lacan's notion of desire as lack, Deleuze and Guattari introduce useful concepts to think about the production of desire or, as they say, "desiring production", which includes "the desire to desire". They describe the force of capitalism in terms of generating flows of production and desire, which are coded (restricted) and decoded (loosened) in a moral economy of desire. Their analysis focuses on the decoding phase that is the hallmark of capitalism, lessening restrictions on desire to create deterritorialized flows. Zhang prefers to focus on the "recoding" of flows of desire or "reterritorialization" as exemplified in the cultivation of life through an ethic of "yangsheng" which advocates preserving seminal essence. Sexual cultivation in contemporary China, like the "care of the self" in ancient Greece as studied by Foucault, is an ethical approach to coping with desire. Yangsheng involves everything from sleep to dietary regimens, bathing, one's temperament in response to changes in climate, qigong, walking, and the bedchamber arts. It is a way to regain potency over one's life. Foucault, in order to account for unreason and madness, chose to produce a history of reason in Western civilization. Similarly, studying impotence leads Zhang to delineate life's potency, a notion that goes well beyond the ability to achieve an erection.

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Kamis, 17 Juni 2010

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Tunnel of Love, by Leah Grant

At eighteen, Iryna Dragon fell in love with a dark handsome stranger in the Tunnel of Love near Klevan, the village where she grew up. He only appears in the tunnel and no one believes Iryna—except for her twin sister and the old gypsy woman. The small village is full of secrets that have been buried over time.

Whispers about a Dragon Prince are just old wives tales, or are they? When her father finds out about Dragos and the tunnel—he uproots the family and moves them far away to Canada. Iryna's heart is broken. Eleven years later, her twin Sonia returns to their village to search of family ties and ends up disappearing.

The authorities say she is dead, but Iryna doesn't believe it. When Iryna sets off to find her sister, she carries hope that she will meet Dragos again, and rekindle the fire of love in her heart.

  • Sales Rank: #2625829 in eBooks
  • Published on: 2015-11-19
  • Released on: 2015-11-19
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Enjoyed
By Amy Bowens
I liked this story. The mystery behind the tunnel had me captivated along with a Dragon King. A good plot with amazing characters made for an interesting read!

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Feature
*Per 1 pose, 32 angle images x 72 poses = 2,304 Images
*Per 1 book = 72 poses, 2,304 Images.
*All 24 books = 1,584 poses, 55,296 Images.


Usage
Anyone can very easily draw a comic - ALLPOSE's 24 pose books
Professional pose image materials of human body for manufacturing paintings, designs, animations, cartoons, illustrations, game characters, continuities, and story boards etc.,
Portrayal ability maximization over only realm of Sketch from various angles in many situations
 : Systematic classification to replace hard works to collect materials
Make it yourself, if you want to save money. Buy it right now, if you want to save time and energy.


Description
Figure Drawing For Dummies appeals to both new art students and veteran artists who find it difficult to proportionally draw the human form. The illustrations and examples in Figure Drawing For Dummies are designed to help readers capture this elusive figure.

  • Sales Rank: #2456052 in Books
  • Published on: 2011
  • Binding: Paperback

Most helpful customer reviews

0 of 0 people found the following review helpful.
Lots of great poses, though
By Lisa H. Tharp
VERY small pictures. I need my glasses to see it! Lots of great poses, though.

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Rabu, 16 Juni 2010

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STEFAN ZWEIG, (Viena, 1881 - Petrópolis, Brasil, 1942) fue un escritor enormemente popular, tanto en su faceta de ensayista y biógrafo como en la de novelista. Su capacidad narrativa, la pericia y la delicadeza en la descripción de los sentimientos y la elegancia de su estilo lo convierten en un narrador fascinante, capaz de seducirnos desde las primeras líneas. Es sin duda, uno de los grandes escritores del siglo XX, y su obra ha sido traducida a más de cincuenta idiomas. Los centenares de miles de ejemplares de sus obras que se han vendido en todo el mundo atestiguan que Stefan Zweig es uno de los autores más leídos del siglo XX.

  • Published on: 2015-07-26
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 9.00" h x .44" w x 6.00" l, .58 pounds
  • Binding: Paperback
  • 192 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Zweig, el genio narrador de las oscuridades del alma!!!!
By Fernando Silvestre
Delicado y profundo análisis de la transformación de humana, de como dejamos de ser unos para convertirnos en otros, obviamente, hermosa y poeticamente narrado. Zweig, el genio narrador de las oscuridades del alma!!!!

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